BIG MISS TROUBLE

第一次过Halloween，我没有行头，就是穿了一身黑，蒙着脸说自己是忍者，大街上象我们这么大个的“孩子”没几个，全是一米来高的小鬼。。。。。。挺好玩的。。。。。。然后我一年都不用再买糖了。。。。。。

Backlighting- When the lights for a shot derive from the rear of the set, thus throwing the foreground figures into semidarkness or silhouette.
 

Close up/Close Shot- A detailed view of a person or object. A close-up of an actor usually only his or her head. As opposed to a long shot.


Crane Shot- A shot taken from a special device called a crane, which resembles a huge mechanical arm. The crane carries the camera and the cinematographer and can move in virtually any direction.


Deep Focus- A technique of photography that permits all distance planes to remain clearly in focus, from close-up ranges to infinity.


Diegetic Sound/Actual Sound- Sound whose source is visible on the screen or whose source is implied to be present by the action of the film:
- music represented as coming from instruments in the story space ( = source music)
Diegetic sound is any sound presented as orginated from a source within the film's world. The sound may be either on screen or off screen depending on whatever is within the frame or outside the frame. As opposed to Non-diegetic sound.


Dissolve- The slow fading out of one shot and the gradual fading in of its successor, with a superimposition of images, usually at the mid-point.


Dolly Shot/ Tracking Shot/ Trucking Shot- A shot taken from a moving vehicle. Originally, tracks were laid on the set to permit a smoother movement of the camera.



Film Noir- A French term- literally, black cinema- referring to a kind of urban American genre that sprang up after World War II, emphasizing a fatalistic, despairing universe where there is no escape from mean city streets, lonliness, and death. Stylistically, noir emphasizes low-key and high-contrast lighting, complex compositions, and a strong atmosphere of dread and paranoia.


High Angle- A shot in which the subject is photographed from above. As opposed to a low angle shot.


Low Angle- A shot in which the subject is photographed from below. As opposed to a high angle shot.


Jump Cut- An abrupt transition between shots, sometimes deliberate, which is disorienting in terms of the continuity of space and time.


Long Shot- A shot that includes an area within the image that roughly corresponds to the audience's view of the area withing the proscenium arch in the live theatre. As opposed to a close-up.

Alternatively, an establishing shot might just be a long shot of a room that shows all the characters from a particular scene.

Aerial shots are usually done with a crane or with a camera attached to a special helicopter to view large landscapes. This sort of shot would be restricted to exterior locations. A good area to do this shot would be a scene that takes place on a building. If the aerial shot is of a character it can make them seem insignificant or vulnerable.

Bird's eye shot refers to a shot looking directly down on the subject. The perspective is very foreshortened, making the subject appear short and squat. This shot can be used to give an overall establishing shot of a scene, or to emphasise the smallness or insignificance of the subjects. These shots are normally used for battle scenes or establishing where the character is. It is shot by lifting the camera up by hands or by hanging it off something strong enough to support it. For a scene that needs a large area shot, then it will most often likely to be lifted up by a crane or some other sort of machine.

crane shot is a shot taken by a camera on a crane. The most obvious uses are to view the actors from above or to move up and away from them, a common way of ending a movie.

Two shot is a type of shot employed in the film industry in which the frame encompasses a view of two people (the subjects). The subjects do not have to be next to each other, and there are many common two-shots which have one subject in the foreground and the other subject in the background.

The shots are also used to show the emotional reactions between the subjects. For instance, in the movie Stand by me, this shot is used multiple times to show these emotions.

An 'American two shot' shows the two heads facing each other in profile to the camera.

Similarly, a three shot has three people in the composition of the frame. In these shots the characters are given more importance; this type of image can also be seen in print advertising.

Four shot scenes are relatively uncommon, but when seen regularly comprise four persons within frame.

Five shot scenes, whilst more common, rarely have 5 people in them and typically have either 6 or 3.5 (the extra 0.5 allowing for a balance of dramatic irony and mise-en-scene.

A point of view shot (also known as POV shot or a subjective camera) is a short film scene that shows what a character (the subject) is looking at (represented through the camera). It is usually established by being positioned between a shot of a character looking at something, and a shot showing the character's reaction (see shot reverse shot). The technique of POV is one of the foundations of film editing.

Loose Framing- Usually in longer shots. The mise en scene is so spaciously distributed withing the confines of the framed image that the people photographed have considerable freedom of movement.


Magic Hour- The hour of sunset, when the lighting is said to have a magical feeling which can be imparted to the film.


Mise en Scene- The arrangements of visual weights and movements within a given space. In the live theatre, the space is usually defined by the proscenium arch; in movies it is defined by the frame that encloses the images. Cinematic mise en scene encompasses both the staging of the action and the way it's photographed.


Montage- Transitional sequences of rapidly edited images, used to suggest the lapse of time or the passing of events. Often uses dissolve and multiple exposures. In Europe, montage means the art of editing.


Non-Diegetic Sound/ Commentary Sound - sound whose source is neither visible on the screen nor has been implied to be present in the action:
Non-diegetic sound is represented as coming from a source outside the story space. The distinction between diegetic or non-diegetic sound depends on our understanding of the conventions of film viewing and listening. We know that certain sounds are represented as coming from the story world, while others are represented as coming from outside the space of the story events.


Rack Focus/Selective Focusing- The blurring of focal planes in sequence, forcing the viewer's eye to travel with those areas of an image that remain in sharp focus.


Storyboard- A previsualization technique in which shots are sketched in advance and in sequence, like a comic strip, thus allowing the filmmaker to outline the mise en scene and construct the editing continuity before production begins.


Three-Point Lighting- A common technique of lighting a scene from three sources. The key light is the main source of illumination, usually creating the dominant contrast where we first look in a shot. Fill lights are less intence and are generally placed opposite the key, illuminating areas that would otherwise be obscured by shadow. Backlights are used to separate foreground elements from the setting, emphasizing depth in the image.


Tight Framing- Usually in close shots. The mise en scene is so carefully balanced and harmonized that the people photographed have little or no freedom of movement.

Zoom Shot/Zoom Lens- A lens of variable focus that permits the cinematographer to change from wide-angle to telephoto shots (and vice versa) in one continuous movement, often plunging the viewer in or out of a scene rapidly.

再次听遇见，仿佛又尝到了那年冬日每天晚自习后凉凉的甜甜的冰糖葫芦。。。

很开心，能在我们都还单纯的时候相依为命。
更开心的是，及时赶在告别单纯之前告别你。
像这样一直都拥有着最善良最纯洁的彼此，多美。

一起成长的过程越是艰辛，相依为命的感觉就越是强烈，就算很多年以后，想起你，心里都暖暖的。

谁爱吃米线，谁爱吃朝鲜面；
谁在小街上跟卖炒冰的怪大叔狂吵，又是谁不顾占上满手油星一把抓住怪大妈的胳膊保护了谁；
谁因为喜欢的人不喜欢自己而喝酒喝到大醉,在教学楼走廊上一倒就是一下午，怎么哄都不管用，傻傻的就知道哭。。。

这样的姐妹淘，一辈子赶上一个，那得是老天爷多么大的眷恋啊。
分开这么多年，每次受伤低潮的时候都好想有你在身边噢...

我想说，我是那种怕麻烦的人，不喜欢为了保持联系而保持联系，不想真诚变成客套。
说是逃避现实也好，冷血不负责任也好，但我想你知道：
在你面前，我永远是最真实的，在我心里，你永远是最亲密的。

或许你的花儿都变了，但此时此刻，有那么一朵，飘飘忽忽的似乎又回到了当初的那个路口，那个我他妈的天天等你等到迟到你丫还不出来的路口。

谁是谁的宝贝，谁是谁那谁谁

其实初次见面时老天爷就知道，丫坏，不说；我也懒，没琢磨，不然抢破头也不放你走

总之机会给的不多，错过就是错过

如果真的有如果，那就等下辈子再说。

我是白痴，谁都别指望我！

啊！！！！！！！！！

知道什么叫烦吗？？就是拿起块巧克力，没吃就觉得腻了。

这个时候，我需要开大音乐狂跳狂跳狂跳！！！！！！

我承认这个时候最忌讳听这首歌，生日那天我假装自己没什么，要死要活的我妈还是来了电话，问寒问暖的抓着我不放，生日怎么过的啊，有没有买个蛋糕啊，自己下个长寿面啊，开开心心的啊。。。好吧好吧，我想说，我知道自己不是那种坚强的人，但能不能，至少，让我好好的装装样子。

迟了20天的痛经折磨的人睡不着觉，开始后悔没有带暖水袋过来了。。。

不开心的事情就说这些，今天我去同一首歌的彩排现场了！看到好多摄影灯光器材噢～～马上想起邵丹了，第一次知道摄影组和灯光组的器材箱不许女生随便坐就是他说的，歧视女性，很不好，但是，真怀念。。。

我要跟我糟心的生活死磕，越是糟心，越是死磕。。。。擦！

剛看了以前的日誌，夠傷感的，以前經歷的事情，現在跳出來再回味，原來我是個那麼多愁善感的小孩子啊。

我想說我很久沒有在日誌里寫頹廢的東西了，悲觀的習慣真的可以一夜間都不見嗎，當然沒有。原本以為只是到了虛偽的年齡，習慣於自我保護多於抒發感情，大人們都這樣，言多必失，禍從口出。後來我覺得其實不是，心裡藏著的東西，相比怕別人看到，其實更怕自己看到。

自己的心事，對自己的看法，我們意識到了，但卻不願意去承認它，人在這方面都很懦弱。因為我們知道就算是把那些我們不願承認的，我們解決不了的，甚麼甚麼一一擺到桌面上，他們只會讓人更失落。

大人就是要故作堅強，即使遇到再難熬的時期也要裝作無所謂的樣子跟朋友們聊聊八卦，開開玩笑。小孩子就不用這樣，想哭就哭，想笑就笑，開心不開心都會講出來跟大家分享，怪不得大人累呢。

我想找一個平衡點，藉於兩者之間，可是我找不到，很鬱悶。我不想長大，雖然我阻止不了，但我還是給丫寫出來了。

姐一直都不是那种可以持之以恒的人，除了玩，干什么都是三分钟热度，回想十多年的学生时光，真正坐下来用心在功课上的时间加起来有两年也就谢天谢地了。除了考试，没有独立做完过一张卷子，一套练习，所以现在情况很清楚，姐不是笨人，就是不爱学习，太容易分心，不够毅力......但姐这次要突破，战胜人性这一大弱点，姐以后必定很强。

擦！潜力无限，现在就挖吧！！

有什么不开心的事情，说出来让大家开心开心。

今天又去选课的网页看了一下，人还是满满的，太夸张了，经济危机的影响我还是体会到了，学校没钱，课程都被精简了，失业的人们也回归了学校，De Anza是个比较便宜的社区大学，一个学分才二十几块钱，也难怪选课开始第一天所有的班都被称爆了，米国人民还真是爱学习吖。没办法，因为那多睡了俩钟头，今后的几天我都要在凌晨四点巡视一下我那糟心的选课页面，一个字，该。

除了这点事，我基本上还是本本份份的赖在房里看托福，直到晚上跟某人MSN被几个史料未及的重磅炸弹轰到有点......惊愕！

先是某人因为一些事宜阴差阳错的有希望要来LA跟我汇合，值得喝一杯庆祝庆祝...... 等等，接下来就是一直被认为感情坚如磐石的某对情侣分手然后女孩跟某某某的前男朋友走到一起...恩，听起来好像跟我的关系不大直到答案被揭晓：本人就是那个某某某...呃..尴尬!还没完！之后某人告诉我她年底要跟相识11年的男人结婚了，在这里要注意，我用的是相识，不是相恋也不是相依为命。真太刺激了，我倒是记得曾经跟她提议过象结婚生孩子这类事情一定要在第一时间让对方知道，不过丫也太快了，一个月以前还在战场上厮杀的正欢，一个月以后告诉我她已经放下屠刀回家务农了。这个振奋人心的事实鼓励了我们：友情确实可以转变为爱情，哪怕是11年...不过5秒种之后我又重新从山顶跌落谷底：11年交情的男性朋友......你们有车有房之后还会为我守身如玉吗？？答案很简单，这种很欠抽的想法一天留在我脑袋里我就一天找不到男朋友...所以还是老老实实修炼吧，最好的一定还在前方抱着我重达两斤的钻戒翘首企盼着我的终极虐待呢......

行吧行吧，都结婚去吧，一个个的，我一边选课去了。